Written By Cadeem Lalor
After reading The Boys, I decided to check out Invincible due to a friend’s recommendation. Invincible follows the exploits of Mark Grayson, the teenaged son of one of Earth’s greatest heroes, as he discovers his powers and begins fighting crime.
I have previously discussed how the most popular superheroes, such as Superman, can serve as archetypes for future creations. With their 1930s and 1940 origins, Superman and the members of the Justice League were not only some of the first superheroes, but they have become a benchmark for future creations. These heroes helped to create the superhero comic. Their powers became part of the prototypical image of a superhero, super strength, flight, super speed etc.
The Boys and Invincible both feature versions of The Justice League. The Boys has “The Seven”, while Invincible has “The Guardians of The Globe”. The Guardians of The Globe are so similar that they are undoubtedly a homage to the Justice League. Their appearance, as well as their powers mirror heroes such as Batman, Wonder Woman, and Green Lantern. One such hero, Darkwing, has no powers but uses gadgets and fighting skills to combat crime.
The Seven is lead by Homelander, whose costume has a similar colour scheme. The Homelander also has similar powers, including heat vision. The Seven were all created through genetic modification, but all have cover stories that are given to the public. The public believes he is an alien who crash-landed on earth as an infant.
Queen Maeve’s cover story is that she is Empress of the Netherworld, similar to Wonder Woman being a princess of the otherworldly Amazons.
While these examples are glaringly obvious ones, which were intended by the creators. Invincible and The Boys are both satire and deconstruction of superheroes. The Boys shows a world where superheroes are morally corrupt celebrities, and Invincible features a twist on the Superman origin story that has tragic consequences for the its protagonist. Since the members of The Justice League came first, it can be hard to create heroes who lack any similar powers or tactics. The most interesting part of the archetypes is seeing how these archetypes created an ideal of morality that led to many subsequent creations.
Antiheroes such as The Punisher and Deadpool were created to be a marked contrast from the shining pillars of heroism seen in the early comics. As time progressed, every character underwent arcs where their image was altered, in order to keep them relevant to a changing world. Superman: Birthright featured a version of Pa Kent that was reluctant to see his son use his powers for good, knowing the fear they could generate. Batman comics may have been campy at times but the character has now evolved into the quintessential dark superhero. Meanwhile, Superman still has the image of a light-hearted hero, even though decades of comics offer much more variety.
Characters created in the 1930s and 1940s still shape superhero comics, whether they are being admired, criticized or deconstructed. Arguably, comics that don’t revolve around superheroes might not be as popular if it wasn’t for the large slate of comic films. When people feel like a market is congested, they often seek something new. Comics are a world of their own, where praise and criticism can still feed the same cycle.